Celestial Archive

by Jay Tholen

supported by
Harrison Lemke
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Harrison Lemke rolling up to heaven's gates in a windows 3.1 screensaver Favorite track: Celestial Archive of Ornately Authored Plans.
Jamison Barsotti
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Jamison Barsotti CELESTIAL ARCHIVE feels like a counterpoint to Mount Eerie's A CROW LOOKED AT ME. Both albums are about the artist struggling to translate an intimate relationship (in both cases a marriage) into their art. Both are dreamlike but CELESTIAL ARCHIVE is a celebration of a new marriage, filled with all the strangeness we've come to expect from Tholen, and ACLAM is a dirge about the loss of one. From an outsiders perspective, these two albums complement each other in a profound way. Favorite track: Onus Productivity Suite.
(free) 03:45


The CELESTIAL ARCHIVE MULTIMEDIA EXPERIENCE is not to be missed. Stream Celestial Archive, play with fun interactive doodads, and learn interesting facts: jaytholen.net/celestialarchive/

Download includes 7 fancy wallpapers.

I very awkwardly hired two copywriters to do blurbs. Here are both in no particular order because they're both excellent:

Celestial Archive is an exultant gospel-adventure through mundane, everyday moments -- a beach, a breakfast table, a coloring book, an insecurity -- that charts an unhurried, drifting course from song to song, scene to scene, and riff to riff.

Musically, Celestial Archive evokes vastly disparate sounds: from the wailing, choral psychedelics of the Flaming Lips to the gentle and fervent lyrical energy of Sufjan Stevens. Cheerful, synthy organs and sax blend seamlessly with gritty, reverb-heavy guitar and vocals. The end result culminates in a sound that touches genres from chiptune to prog, and makes for an affair that carefully straddles the line between ‘fun, easy listening’ and ‘thoughtful aural experience’.

Tholen’s 30th release, Celestial Archive has all the crusty, vaporwavey, art-rock goodness that fans have adored over the years, while simultaneously presenting a polished and diverse phonic thesis. While songs like “The Second Greatest Meal” and “Onus Productivity Suite” may seem out of place at first, this album is a love letter, and with trust, it guides the listener expertly. From the majestic highs of “Celestial Archive of Ornately Authored Plans” and the cover of Soul-Junk’s “Bridesong” from his album 1954, to the struggles and anxieties that arise across songs like “Even Though” and “Do I Deserve This?” the album explores what it means to love and be loved; as well as, how unexpected, random, and challenging the experience of love can be.

-- Leona J. Dougherty


Swells of sound carry forth joyous synths, instrumentals collaged and created, honest words and gleeful melody; each track on ‘Celestial Archive’ is a collection of effervescent notes woven together to form a golden tapestry of hopefulness. Like waking to a spring morning for the first time after a winter that seemed to promise to never end. A frost, long frozen, finally has begun to thaw, blades of pale grass and brave violet blossoms stretch skywards, dare to reach up towards the sun, feel its rays warm them, stand tall and are freed all at once of the last casts of ice clinging above their roots. Rich earth, warming and again welcoming to the life it holds within it, parting with a soft sigh so that saplings can begin their journey to embrace the sky.

The landscape shifting, from blanketed shades of white and grey reaching past the horizon, to technicolor flashes of light and feeling, vivid tones shimmering and bold, sure of themselves at last, claiming victory for the season. Permafrost that threatened to hold fast, gnashed its icy teeth, now already being forgotten, air warm and glowing golden like sweet honey, poppies bloom and sway together rapturously in soft breezes. The season has exhaled and it smiles; pure joy, all love, let loose the hold of winters passed, look forward to leaves embraced in morning sun. Swells of sound again carry forth their golden tapestry and with them, bring this new season.

- Mia Antoinette


released September 12, 2017

jay tholen - everything except:
jason sullivan - bass guitar on 5
james knoerl - drums on 5, 7 & 8
track 11 originally by Soul-Junk from the album 1954


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Jay Tholen Münster, Germany

Jay Tholen is a person who can't get an irl prog/art rock band together so he makes electronic music instead.

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